005 The Old Man and the Sea
I might have read The Old Man and the Sea in high school but I'm uncertain. The title is familiar yet I remember nothing else. I choose this short book -- only 127 pages -- to ease myself back into this blog.
Short, direct, clear prose. An old fisherman pit against a mighty fish --a marlin. After hooking the fish, the old man waits a day and a night for the fish to surface. After killing the fish, he beats sharks off his catch. He returns to the fishing hamlet with a carcass, which is sad yet bringing the skeleton to shore is a heroic feat: it is a visible testament of his trials and of his unyielding resolution.
Two words sum up this book: mental fortitude.
The old man's stream of consciousness narrates events. Fishing alone, he talks to himself, thinks to himself. He is constantly encouraging, planning, preparing himself to handle tasks he must do. Unflinchingly, he makes sacrifices quickly -- cutting the other lines, eating the fish he caught -- to stack his chances to win. He knows well the psychology of battle, and keeps his mind sharp by reason, by rest, by food:
"The punishment of the hook is nothing. The punishment of hunger, and that he is against something that he does not comprehend, is everything. Rest now, old man, and let him work until your next duty comes." p.76
The theme of mental resolution, expressed so poignantly by Ernest Hemingway, is at once noble and horrific. Noble because it is shows how battles are won in the mind. Horrific because someone who knows mental fortitude so well, enough to convey it convincingly in literary form, killed himself.
It begs the question: What is it about modern life or his life that was so unbearable? It is frightening to imagine that someone with the intellectual capacity and, perhaps, fortitude of the Old Man, encountered something that beat him to death.
I mention Hemingway' s suicide because I read Sylvia Plath's The Bell Jar just prior to The Old Man and the Sea. Plath also killed herself.
In The Bell Jar, a small town girl wins a one month internship at a magazine publishing house in New York. Intelligent and keenly self-conscious, Esther's observations of people and events are painfully frank. She is equally merciless to her own thoughts and actions.
You sense that modern city life dulls and suffocates. In short, it kills. The city teems of depth-less people spouting canned conversations, performing gestures which are emptied by repetition. A glimpse of this existence and Esther is changed: her mind sickens and she tries to commit suicide. Esther gets shock therapy and after a session she says:
"All the heat and fear had purged itself. I felt surprisingly at peace. The bell jar hung, suspended, a few feet above my head. I was open to the circulating air." p.206
The space under a bell jar is a metaphor for a state of mind touched by the emptiness of modern madness. It is a powerful symbol. You are helpless. You cannot move or breathe. The 360 degree field of vision remains a relentless source of pain; you see in stark clarity and feel razor eyes upon you.
Ernest Hemingway, Sylvia Plath, was it this?


0 Comments:
Post a Comment
<< Home